George Sand remains a modern writer who entirely rejects the idea that a woman does not have the same mental skills as a man. The latter, and according to modern Sandian thought, must stop taking himself for the master of society and stop his misogyny which completely refuses to admit the feminine genius. In fact, for a long time, it was strongly believed that women are incapable of creating. She can only imitate male role models. There, the Sandian thought thwarts this macho spirit and manages to prove the opposite. His heroines are often endowed with real creative power. They do not attach too much importance to the ambient atmosphere which tries relentlessly to take away their self-confidence. Nothing stops them in their quest for social success, especially since they are, like George Sand, perfectly capable of innovating. An innovation that displays unique features within the Sandian universe.

Keywords:

George Sand, femme, art, création, génie.

References :


[1] G. DUBY, M. PERROT, Histoire des femmes en occident, Ed. APE, Paris, 2002, p. 162.
[2] M. ALBISTUR, D. ARMOGATHE, Histoire du féminisme français, Ed. Des Femmes, Paris, 1977, p. 395.
[3] Sainte- BEUVE, Pour la critique, Ed. Gallimard, Paris, 1995, p. 24.
[4] B. DIDIER, « Sexe, société et création : Consuelo et La Comtesse de Rudolstadt », p. 155, in : Romantisme, N° 13-14, 1976.
[5] SAND, George, Nanon, Paris, Ed. Actes Sud, 2005
[1850], p. 384.
[6] ibid. p. 536.
[7] ibid. p. 498.
[8] SAND, George, Lucrezia Foriani, Paris, Ed. Sphère, 1981
[1847], p. 240.
[9] PIETRI, Suci, « L’année balzacienne », in : CAIRN INFO, N° 11, 2010, p. 471-488.
[10] SAND, George, Lucrezia Foriani, op. cit, p. 83.
[11] ibid. p. 63.
[12] SAND, George, Consuelo, Ed. Libreto, Paris, 2016
[1834], p. 896.
[13] ibid. p. 11.
[14] ibid. p. 21.
[15] ibid. p. 163.
[16] ibid. p. 287.
[17] ibid. p. 187.
[18] A. POWEL, David , « Improvisation dans Consuelo », in : Revue des Sciences Humaines, N° 226, février, 1992, p. 117-134.
[19] SAND, George, Consuelo, op. cit, p. 214.
[20] Ikram Chemlali (2023),George Sand And Body Writing As An Opposition To The Patriarchal Spirit. IUSRJ International Uni-Scientific Research Journal (4)(6),33-36. https://doi.org/10.59271/s44970.023.1911.6

Citation

Ikram Chemlali (2023),Art at the service of feminine genius, at George Sand. IUSRJ International Uni-Scientific Research Journal (4)(12),68-72. https://doi.org/10.59271/s45095.023.1810.12

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